Thursday, June 18, 2009

Sweep the Leg Johnny - Going Down Swingin'


Band: Sweep the Leg Johnny
Album: Going Down Swingin'
Year: 2002
Label: Southern Records


I had heard of Sweep the Leg Johnny before i made this purchase. I would probably say that I was a fan, even though I haven't explored their entire catalogue. This was one of those albums that had yet to find it's way into my ear holes. So, before my ear holes are penetrated by new sounds, I'll supply some background for those unfamilliar. This Chicago band plays a jazzy type of Math rock that is often frantic and dynamically all over the place. Their inclusion of an alto sax always interested me. I felt it always added extra energy to the post rock noodling the band participated in. This album featured the guitarist from Rumah Sakit. The band has since broken up and spread it's members among bands like Haymarket Riot and ZZZZ.

The first track starts off with an alto saxophone playing a free form jazz like intro. This is interrupted by the dizzying combination of the rest of the instruments, causing a chaotic frenzy that will go on the encapsulate the album. The track is long, taking up the entire A-side. The song has plenty of energy, with the alto-sax adding plenty of momentum. About halfway, the songslowly desolves into a slower piece. Later, the track builds up again to have an awkward phase of starts and stops to bring the song to a close. What I don't like about "Sometimes My Balls Feel Like Tits" (besides the self inflicted groans that occur when saying the title to myself) is that it is too long. While I like the build up and stop/start momentum of the last couple of minutes, the dissolve takes too long. The song lays there, not moving and seems seemingly pointless. Overall however, it is a solid track that could use some trimming.

The B-side includes 2 new tracks and a re-recorded version of "The Blizzard of '99" (off of their far superior album Sto Cazzo). The first two might as well be one track, as the two sort of blend into the background. It is almost as if they had enough ideas for one song but, decided to disperse them among two tracks, unsuccessfully. "The Blizzard of '99" is a good track but, is pretty pointless seeing as it already appeared on another album.

Making up the enitrety of the C-side is "Rest Stop." Yet again, this is another re-recording, this time of a song appearing on their sophomore full length Tomorrow We Will Run Faster. The song starts off slow, segues into a faster chaos driven section only to slow down again. I really like the song, with its jazzy texture and ups and downs. Yet, the fact that it is re-recorded from another album puts a damper on the whole feeling. The realization that the two best songs on the album (so far) are recycled doesn't bode well.

The D-Side, however, completely changed my perceptions. The first (of 2) song is the slowest on the album. The song, maybe lacking the frantic energy, is still one of the most dynamic. The last song on the album (and 7th overall) is brimming with energy but, ends too quickly. Once "Transit Must Suffer" reaches it's end, I feel the need for more. While I enjoyed the first listen, to an extent, the second listen proved to be a far better experience. Time will tell how much I like this album, even though I still beleive it was cheap to recycle a couple songs.

Heres the info supplied by Southern Records. You can listen to one of the tracks ("Only in a Rerun") there. If you can somehow navigate a way in which you can purchase the album, good for you. I couldn't figure it out in the few minutes I was on the site:

Wednesday, June 10, 2009

Evergreen - S/T



Band: Evergreen
Title: S/T
Year: 1996
Label: Hi-Ball

Quick Note: This is not the Southern California Emo band. These guys were from Kentucky.

This band was active in the early and mid nineties Lousiville, Kentucky scene. This interested me, as great bands like Slint, Rodan and the extremely underrated Crain were prominent in this scene during that era. The album may be notable as Britt Walford plays drums on this recording. Walford is most well known for being in bands like Slint, The Breeders and the excellent Squirrel Bait (who I probably wouldn't have heard of if Kid Dynamite hadn't named themselves after one of their songs). Also, James Murphy helped record this album. Apparently he is famous for being in LCD Soundsystem and other such adventures but, I really don't care about that.

Throughout this 11 song LP, the band can sometimes sound like Fugazi trying to emulate the Mummies. The 8th track, "Glass Highway" is a perfect example of the post rock candor and garage like brevity evident on this album. Unlike their more serious contempories, Evergreen isn't afraid to just lay back and jam, with only a couple chords, simple drum beats and a couple "yeahs" shouted every now and then. The energy can be lacking, however. Even during their more rocking parts, Evergreen can come off as a little tired. Granted, if I lived in Louisville and was not 6 years old when this album came out, I would have loved to see these guys. They seem like a great band to see live (and maybe the energy would be more present in a live setting as well).

Though not in tune with the Slint like expectations that are racked with this band, they can pull off the sloppy, nineties garage sound very well. A song like "New York City" is both fantiastic in it's catchiness as it is in it's simplicity. Stuffed in with more complicated rhytmic driven songs, "New York City" can come off as a time to catch your breath and relax your brain. The noise like "Coyote" follows, getting you right back into the groove with it's vintage sounding noise and Jesus Lizard like vocal delivery.

Overall, I'd like to say that this is the reason I started doing this blog. I found a great band I probably wounldn't have otherwise heard of. Granted, for a post rock band, the album has little contruction and kind of just.....ends but, this means very little to me. With a record like this, I want to rid of any looming expectations and enjoy it for what it is. Fortunately, i did just that. I enjoyed the living hell out of it.

The LP is out of print as far as I know but, you can buy the CD re-issue (which includes 2 bonus tracks) from Temporary Residence: http://temporaryresidence.com/descriptions/trr64.php